On the surface the SBR appears to be an extended exercise in creative writing. Shakespeare, however, throughout his plays, reminds us that nothing is ever as it seems and this book is no exception. The discerning reader who is willing to go beyond the obvious is likely to find additional levels layered into the text. What-you may wondering-is this material all about? What is its raison d'etre? Does it have peaks and valleys or a place to hang its hat? Why aren't the short stories more complicated than the skills of a cat? Does it fit into a category? In a word, no. Sara Bellum has tried to work within the comfort zone of formula writing but it was not to be. You see, the Review has always been restless and unwilling to buy into the idea that there is only one way to do things. The Review is its own genre and creativity (levity) is its center of gravity. Where does that leaves us? In short, the three volumes of the SBR have opted to make a subtly yet far reaching demand of its readers. Our intent is to prompt you to step up your creative efforts (the arts) and thus activate your higher energies. You will not be alone. Such a movement is happening globally and the SBR is proud to be a part of it.