In early eighteenth-century texts, the gypsy is frequently figured as an amusing rogue; by the Victorian period, it has begun to take on a nostalgic, romanticized form, abandoning sublimity in favour of the bucolic fantasy propagated by George Borrow and the founding members of the Gypsy Lore Society. Representations of the Gypsy in the Romantic Period argues that, in the gap between these two situations, the figure of the gypsy is exploited by Romantic-period writers and artists, often in unexpected ways. Drawing attention to prominent writers (including Wordsworth, Austen, Clare, Cowper and Brontë) as well as those less well-known, Sarah Houghton-Walker examines representations of gypsies in literature and art from 1780-1830, alongside the contemporary socio-historical events and cultural processes which put pressure on those representations. She argues that, raising troubling questions by its repeated escape from the categories of enlightenment discourses which might seek to 'know' or 'understand' in empirical ways, the gypsy exists both within and outside of conventional English society. The figure of the gypsy is thus available to writers and artists to facilitate the articulation of dilemmas and anxieties taking various forms, and especially as a lens through which questions of knowledge and identity (which is often mutable, and troubling) might be focussed. .

Representations of the Gypsy in the Romantic Period examines the ways writers and artists from the Romantic period depict gypsies. It examines how various aspects of the contemporary context influence those depictions, and highligts the opportunities offered by the figure of the gypsy for the exploration of a range of hopes and fears.

Representations of the Gypsy in the Romantic Period ... provides a fascinating insight into writers' and artists' portrayals of wanderers such as gypsies [and] treads new territory in its analysis of portrayals of travellers and wanderers in literature between 1783 and 1832.