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David Barnett is Professor of Theatre at the University of York, UK. He has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre. His history of
the Berliner Ensemble was published in 2015, and he edited the anthology of Bertolt Brecht's Berliner Ensemble Adaptations (Bloomsbury Methuen Drama, 2014). Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller.
Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan. He is series editor of Methuen Drama's Arthur Miller scholarly editions, and with Mark Taylor-Batty of Methuen Drama's Engage series. He has written extensively on the work of Samuel Beckett and Arthur Miller. Mark Taylor-Batty is Associate Professor of Theatre Studies and Deputy Head of School in the School of English at the University of Leeds, UK. His previous publications include The Theatre of Harold Pinter (Bloomsbury, 2014), About Pinter: The Playwright and the Work (Faber and Faber, 2005), Roger Blin: Collaborations and Methodologies (Peter Lang, 2007) and, he co-authored with his wife, Juliette Taylor-Batty, Samuel Beckett's Waiting for Godot (Continuum, 2009). |
