Published to accompany the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, K?the Kollwitz, Gabriele Münter and Marianne Werefkin.

"Paula Modersohn-Becker, Kèathe Kollwitz, Gabriele Mèunter and Marianne Werefkin are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the twentieth century. Each challenged prevailing ideals of feminine identity at a time of great societal change. As women, they were expected to marry and raise a family; some chose to, some did not. As ambitious artists, all wanted to work, and as they rose to these challenges, their art further undermined conventions. Their depictions of children symbolise joy, hope and innocence but also melancholy, tension, curiosity, the passing of time and unfulfilled desire. Their radical depictions of the nude wrest the female body away from the male gaze towards a newfound role, expressive of powerful maternity and female subjectivity. These dramatic modernist compositions, with their fluid brushwork and bright hues, push at the boundaries of form, colour and spiritual meaning"--