Hide and Seek interweaves lost identity with a tender study of disability. At its center stands the deaf heroine, Madonna, adopted by the idealistic painter Valentine Blyth; their orbit spans the London studio and the traveling circus from which she was rescued, as a buried scandal surfaces. Collins blends domestic realism with investigative plotting and theatrical set pieces, moving from comic bustle to menace. An early 1850s work, it anticipates sensation fiction by using secrets, misrecognition, and social surveillance to interrogate Victorian norms. Collins, son of Royal Academician William Collins, writes with an eye trained by the gallery and the greenroom. His association with Dickens and Household Words sharpened his interest in urban margins, while humane curiosity about law, medicine, and pedagogy shapes the respectful portrayal of deafness and sign. Early in his career, he tests techniques-shifting focalization, documentary detail, ethical suspense-that he would later perfect in The Woman in White and The Moonstone. Readers of Victorian fiction, disability studies, and arts culture will find this novel richly rewarding. It offers narrative pleasure, historical insight, and a humane intelligence that still feels modern, making it an ideal introduction to Collins and a cornerstone of early sensation. Quickie Classics summarizes timeless works with precision, preserving the author's voice and keeping the prose clear, fast, and readable-distilled, never diluted. Enriched Edition extras: Introduction · Synopsis · Historical Context · Author Biography · Brief Analysis · 4 Reflection Q&As · Editorial Footnotes.