"Crazy" Joe Gallo?the same mafia hitman Profaci crime family enforcer that was one of the gunmen which assassinated Murder Inc. hit squad head Albert Anastasia in a barbershop at the exclusive Park Sheraton Hotel in New York City's midtown Manhattan district, along with his then teammate gunman of the Profaci family Carmine Persico, also ordered the mob hit of Colombo crime boss Joe Colombo at the second annual Italian American Unity Day in Manhattan's Columbus Circle on June 29, 1971. Crazy Joe Gallo was a Profaci-Colombo crime family enforcer, a hitman, a shakedown man and also a Caporegime of the Colombo crime family of New York City. Crazy Joe Gallo also started the "Colombo Wars" when he kidnapped several men of the Profaci crime Boss Joe Profaci and demanded a $100,000 ransom. Read about the first and second Colombo Wars I and II that featured Crazy Joe Gallo, Larry Gallo and Albert Kid Blast Gallo VS. crime boss Joe Profaci in the first war and Crazy Joe Gallo VS Joe Colombo in the the second Colombo War. Read about how Crazy Joe Gallo's multi-racial connections that he solidified while imprisoned led this out-of-control gangster to recruit an African American assassin Jerome A. Johnson to get rid of Colombo crime boss Joe Colombo at the Italian American Unity Day rally on June 29, 1971. Also, read in this informative how mob connected crooner Frank Sinatra and the Italian American Civil Rights League (IACRL), originally started by crime boss Joe Colombo before he was put out of commission by an assassins bullets, tried to stop the film production of Mario Puzo's Godfather film because of the films alleged depictions of Italian Americans as criminals. Read about how IARCL's efforts to stop the production of the film eventually led to the film's producers excising the terms Mafia and Cosa Nostra from the film version of the novel and how Frank Sinatra had an angry altercation with Godfather novel author Mario Puzo at at the celebrity hot spot known as Chasen's which is located in Beverly Hills, because Sinatra felt that the film made Italian Americans look unfavorable.
